Game Of Thrones: Season 1
Game
Of Thrones is a phenomenon. The single most
popular show on television at the moment, almost everyone seems to be
completely addicted to it, especially at Uni. Everyone in my Creative Writing
tutorial has seen it and all of my friends have been urging me to watch it. So,
finally, I decided to see what all the fuss was about. Surely, this couldn’t be
as good as everyone says, can it? Yes, yes it can.
It’s a brilliant medieval fantasy epic that’s ridiculously addictive,
with characters that you can’t help but sympathise with (or really hate) that
draw you in. It’s magnificent.
Let’s start with the Starks shall we. Ned Stark is a noble character who
commands our attention. He’s the main character for most of the series who just
seems to be trying to cut through all of the deception and power struggles at
King’s Landing. Unlike the rest of them, he doesn’t really want to be king.
He’s just trying to do the best he can in a difficult situation. This makes his
death at the end of episode nine the single most shocking twist in a series
full of them. It’s so completely unexpected, made all the more moving as we
focus on the reactions of his two daughters, Arya and Sansa. It had me
literally screaming at the screen and after the episode finished I sat in a
stunned silence. It was breathtaking and brave because it proves that none of
these people are safe. Ned has been one of the most important characters so far
and to have his death as so sudden is incredible, setting up events for the
next season in a very clever way.
His wife, Lady Catelyn Stark, is one of my favourite characters. She is
incredibly family-driven, risking her life to bring the Lannisters to justice
for trying to kill her son, Bran. She’s strong, never showing her vulnerability
and using it to her advantage. Towards the end of the season, however, she
grows darker following the death of her husband. She is determined to get her
daughters out of King’s Landing and to get revenge. It will be very interesting
to see where she goes from here.
Robb is the Stark’s oldest child. He is serious with responsibility
forced upon him, especially in the wake of his father’s death. To me, Robb
doesn’t seem as interesting or as developed as the other characters but this
could be as the series goes on we spend less and less time at Winterfell (the
Stark’s home). This is one of the casualties of having a series with so many
characters and settings, some will have less of an emphasis. The same can be
said of Bran who, after playing an important role in the first episode (where
he catches the Lannisters having sex and Jaime pushes him out of the window,
providing us with the first major shock of the series), really doesn’t have a
lot to do with the rest of the series, with his only real plot being the loss
of function in his legs. This, however, does allow the introduction of one of
my favourite characters, Osha. A Wilding who becomes friends with Bran, she’s
just a brilliant character, fun and loveable.
The two Stark girls in King’s Landing couldn’t be any more different. Sansa
is annoying, constantly pining over Joffrey. For most of the season, you really
don’t like her because she seems to be completely stupid, blind to the fact
that Joffrey is an evil bastard, but then we get the final episode where she is
forced to look at her father and maid’s heads on spikes. It’s such a moving and
horrific scene and I actually started to like her. This is good because I have
a feeling that she’s going to be a very important character down the line.
Arya, her younger sister, is a tomboy who I almost immediately loved. She’s a
brilliant creation, always brave and not afraid to be who she wants to be,
getting her fight instructor (another great character, but I’m not sure whether
he lived or he died, it’s not very clear) to teach her how to be good in
battle. Her despair at her father’s execution is palpable and it’s what makes
the scene so moving. By the conclusion of the season, she has become stronger
and now seems to be on her way to the Wall.
Ah, the Wall. The element of the show that most screams medieval fantasy
is where Jon Snow finds his home for most of the series. The bastard of his
family, he’s immensely likable and sympathetic and gets some of the best
scenes, particularly when he has to fight off the dead and in his interactions
with Samwell (who comes across as comic relief, albeit with a sad past).
However, the greatest scene at the Wall is when you realise that the old guy is
a Targaryen, which is an astonishing twist, ingeniously plated. Again, Jon’s an
honourable character, which is a trait that seems to run within the Stark
family.
Much less honourable, in fact downright evil sometimes, is the
Lannisters. They are often completely hateful, from the moment Jaime pushes
Bran out the window to Joffrey ordering the death of Ned.
Cersei, wife of King Robert, is a complete bitch, sleeping with family
members (first Jaime and then, once he’s been taken by the Starks, Lancel) in
order to keep the blood line pure and using her keen political mind to ensure
the safety of her family and everyone around her. She’s a manipulator, really,
like many of the Lannisters. However, she isn’t completely evil as evidenced by
probably the greatest scene of the season when she and Robert discuss how their
marriage has come to an end. It’s an intimate character moment that tells us
everything about them and their relationship. It’s a scene of beautiful genius.
The King, Robert Baratheon, is a drunk, whoring his way through life so
he can die happy. He has no political mind and just isn’t the right person for
the job of holding the Seven Kingdoms together. He’s also completely blind,
unable to see that Joffrey clearly isn’t his son and that the Lannisters are
controlling his life and are soon to snuff it out. The death of the King is one
of the earliest major character deaths and sets up the scene for all that is to
come with the rest of the season. It ups the ante and increases the pace
wonderfully, making it even more addictive than ever before.
His squire, Lancel Lannister, is much less scheming than the rest of his
family, seemingly just going along with his aunt’s every desire (including
sexual as the last episode proves). What to me was most memorable about this
character is that he’s played by a person who was in House Of Anubis, a Nickeledon mystery series, which is aimed at
teenagers. To see him getting his kit off as he does in the final episode was
actually something of a shock. I will never be able to watch HOA the same way again…
However, he’s not the only actor to have had a role in a kid’s series
only to play someone completely different. No, we also have Finn Jones as Loras
Tyrell. I knew him as Santiago Jones off The
Sarah Jane Adventures so to see him playing a violent gay character was
simultaneously rather horrifying and brilliant at the same time. It was also
nice to get a change from all the female nudity on display to get some gay
characters in the mix. His partner, Renly Baratheon, is a brilliant character
who I liked, but I really don’t want him to be king. It would just be wrong for
some reason.
Similarly wrong is the jousting scene in around the fifth episode. The
Mountain (played by Brian Blessed which seems a little bit of a waste as he’s
known for his enormous booming voice but is completely mute here) loses so he
cuts the head of his horse off. To me, this doesn’t look real and I’m sure they
killed off a real horse. It’s the most horrifying moment and is completely
disgusting. I had to pause for several moments in order to regain my composure.
It wasn’t necessary and it really didn’t need to be scene.
Anyway, after Robert dies (or is killed off by the Lannisters), his son
Joffrey takes the throne and he’s an evil little bugger. He’s directly
responsible for the death of the Butcher’s boy and Ned Stark. The latter was an
incredibly stupid decision tactically (which is probably why Cersei objected to
it) and has left them in a place of no return. He’s evil, plain and simple,
forcing his future wife Sansa to stare at her father’s head and ordering for
the tongue of a minstrel who sang about Robin to have his tongue pulled out. I
desperately hope Joffrey is unseated from the throne, but going by what I’ve
heard this seems unlikely. Bugger.
Jaime has a much more brilliant tactical mind and seems to be the Lannister
who really puts all of their dark deeds into action, including killing a King,
giving him the nickname Kingslayer which he seems to hate. He loves his sister,
refusing to tell Lady Stark why he pushed Bran. He’s the most honourable of the
Lannisters and for that reason, he’s surprisingly likeable.
Tyrion, however, is the most likable Lannister. Often referred to as the
Imp, he has a cunning mind but also hides a very sad past, particularly in
relation to his brother who manipulated him. He’s one of the best characters,
especially when imprisoned by Lisa Arryn (she’s so twisted and her son Robert
is possibly even more hateful than Joffrey. I wanted to throw him down the moon
hole). He must use all of his wits to escape the immensely terrifying cell with
no fourth wall, which is simply one of the most cleverly horrifying ideas of
all time. By the end of the season, he has a partner who will join him as he
becomes Hand of the King to Joffrey, a truly awful position to be in, as both
Hands that we have seen were killed (albeit by Lannister hands).
The two main people of the King’s Court, are actually some of the most
likable and layered characters present. Baelish, the whorehouse owner, cannot
be trusted and is constantly scheming. He, like so many others, wants to be
king but until then, he is happy to just manipulate everyone. He lights up the
screen, constantly drawing your attention to him. He makes up half of a double
act with Varys, another brilliant character, who only acts in the best interests
of the Seven Kingdoms. He doesn’t want to be king. He just wants to keep the
peace and for that, he’s one of the most unusual and intriguing characters
present.
In complete opposition to this way of thinking is Vaserys Targaryen. He
and his sister are the only ones left and his belief that he is the rightful
King is seconded only to the belief that the Dothraki are below him. They mean
nothing to him but this is his downfall. Being outplayed by Khal Drogo, he is
killed in the most spectacular way as scalding hot gold is poured on his head.
Horrible yet deserved in a way.
His sister, Daenyrs Targaryen, is the single greatest character on this
show. Watching her journey from the first episode as a weak naked woman who is
used by her brother as a bartering chip to get the Dothraki on side to her part
in the cliffhanger is one of the main reasons why this series is so watchable.
She’s allowed to grow in a way that very few characters are allowed to. From a
reluctant wife to Khal Drogo to the woman who mourns his death because she
loves him so completely, from a naïve kind woman who tries to save anyone to
realising that this doesn’t always work (as evidenced by the hateful witch who
kills Drogo), she is the best character. The moment she walks into the fire after
giving Ser Jorah Mormont (another favourite character) a kiss on the cheek,
only to rise the next morning, completely naked but with a dragon sitting on
her shoulder is awe-inspiringly beautiful and wonderful. I cannot wait to see
what happens to her next and how she will grow from here.
Now, the way I’ve described it makes it seem like there are many
characters and you follow every one. This isn’t entirely wrong. Game Of Thrones has numerous characters
whom we follow as they try to outwit one another. It gives such a feeling of
intrigue which is just wonderful. However, it’s rarely hard to follow or
understand because it’s so clear and these characters feel real.
That’s a key part of this series; that these characters feel like people
who are in a real kingdom. This makes it ridiculously addictive as you never
know what’s going to happen next. Y0u need to know whether the characters you
love are going to make it out alive or if they will be killed by someone else
who wants to be king. In these 10 episodes alone, 6 significant characters die
(Ned, Jory, Septa, Robert, Viserys and Khal Drogo), leading to a dark, gritty
and mature tone.
As a consequence of a more mature tone, there is also several scenes of
content which make this very much an adults only program, particularly in its
graphic use of sex and violence. Sometimes it’s necessary (Khal Drogo and
Daenyrs early sex scenes, Cersei and Jaime having sex, Tyrion killing the
Wildling with a shield, the attack on Cateln, etc.), sometimes it’s really not.
The lengthy lesbian sex scene springs to mind as it has no relevance to the
plot, but so do many of the scenes involving female (and male) nudity which
feels superfluous to the action. When used to advance the narrative, these
elements add a sense of realism and maturity but when used in a way that is
completely unnecessary, it just makes it look very immature, as though the male
audience need to see Roz and another woman getting it on in order to tune in
that week. Throughout this season, Game
Of Thrones treads this line very carefully, not quite overstepping it, but
sometimes coming very, very close.
However, what is most shocking is that is really my only complaint. This
series is a brilliant character driven drama that takes place in a world of
murder, betrayal, intrigue, politics and honour. It also contains some of the
most well-rounded and layered characters ever to appear in a television series
and feels wonderfully filmic. This is television on a grand scale and promises
to just keep getting better and better because after all ‘Winter Is Coming’…
Favourite
To Be King/Queen: Daenyrs
Favourite
Character: Daenyrs
Least
Favourite Character: Joffrey
Most
Shocking Moment: The death of Ned Stark
Most
Emotional Moment: Daenyrs killing Khal
Most
Beautiful Character Scene: Robert and Cersei
discuss their marriage
Favourite
Episode: The Wolf And The Lion
Favourite
Moment: The cliffhanger
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